Sojourns in Publishing

Writing. Editing. Designing. Producing. Printing. Reading.

Don’t Abuse Quotation Marks!

Using quotation marks in your narrative should usually be restricted to depicting dialogue, or to attribute an unusually special significance—and even in the case of special significance, it should be used very sparingly, lest the quotations lose their power from overuse. 

When I read a manuscript where quotation marks are over-used, I get the impression that the author is someone who uses air quotes a great deal when speaking.

Words are words. They have their own significance, and that significance is strong enough to stand on its own, if it’s the correct word. The power should be inherent in that carefully-chosen word. Let it be what it is without having to dress it up.

Alcuin Society’s 41 best-looking books of 2012

Alcuin Society’s 41 best-looking books of 2012

Elvis Costello: Every Day I Write the Book.

Writer, editor, publishing pro and IRL friend Megan Radford (@MeganRadford on Twitter) mentioned this song today online. Took me way back to the ’80s. Because, you know, I like to date myself. I always dug this song.

‘Wee Little Book Review: Who Dies? by Stephen Levine.

Who Dies?Who Dies? by Stephen Levine

My rating: 3 of 5 stars

Stephen Levine offers a gentle perspective that is inclusive, comforting, and lucid. I respected the lack of dogma and the introduction to the Buddhist perspective without feeling “preached to.” The writing and editing felt somewhat muddled at times, but the book delivered what I’d hoped. All told, it is a valuable read for those seeking to explore and expand a perspective on the dying process which we must all embrace in one capacity or another.

View all my reviews

‘Wee Little Book Review: Canada by Richard Ford

CanadaCanada by Richard Ford
My rating: 4 of 5 stars

Ford is a master wordsmith. His skill is so subtle and smooth that my imagination was carried gently along, naturally easing me into the perspective of the protagonist. The characters were raw, imperfect, awkward, believable and clear without over-explanation. The narrative was fascinating and haunting, and evolved as the protagonist grew older. This was not a neat, tidy, or formulaic story. It had textures and colours that bled beyond the pages and into my non-reading moments. I wasn’t gripped or excited by this book, and I appreciated that he didn’t rush. I was comfortably pleased to read it, and felt tremendously satisfied when I was done. I will seek out more of Richard Ford’s writing as a direct result.

View all my reviews

Small Publishers, Big Substance

Small Publishers, Big Substance

Richard Olafson, founder of Ekstasis Editions, nestled here in Victoria, BC. A strong article about a quietly fascinating publisher.

‘Wee Little Book Review: The Blondes by Emily Schultz

The BlondesThe Blondes by Emily Schultz

My rating: 3 of 5 stars

The premise for the story was equal parts outrageous and probable, and the multiple layers to the story worked well together with consistency. The characters were believable without needing to be over-explained, and the protagonist was easy to relate to without demanding that I crawl into her skin and see and feel everything that she was experiencing. The dialogue was very natural and went a long way towards giving me a good sense for the personalities of the characters, and the way the story unfolded and ended felt easy and open-ended without leaving me hanging. Having been to New York (and having grown up in Toronto), I had a good sense for the setting which always gives me a deeper reading experience. I didn’t passionately love this book—and really, who needs to be blown away every single time?—but I did like it very much.

View all my reviews

Ted Talk on Book Design: Chip Kidd, Designer for Knopf.

“The book cover should be a haiku of the story.”

“Feet on ground, Heart in hand, Facing forward…”

September 1. First morning of my freelance life. I woke up happy and excited and freaked out and excited and happy and freaked out and . . .

After giving notice to my supervisor six weeks ago, I followed through with my strategic transition from full-time Author Account Manager at FriesenPress to freelance editor, copywriter, and desktop publisher. I assigned the last of my files to carefully-chosen colleagues, packed up my desk, wiped it down all nice and clean, and went home. All this on the last day of the week on the last day of August whilst coming into a blue moon at the end of summer. Nice. 

Image

Photo Credit: J.L. Johnson

Almost exactly one year ago, my husband made the same transition from working as a Web Content/SEO Copywriter to full-time Freelance Editor, with his biggest client being the same subsidy-publishing company I’ve been with. It was scary at the time, but he hit the ground running and has been unbelievably busy ever since. So busy, in fact, that it only made sense for me to join him in our home office. The dream all along has been to work from home together, up to our eyeballs in writing and editing and designing and publishing, side-by-side, with our Macs and our music and our moccasins and our mugs. For the last year, we’d been projecting that it would happen, but we just didn’t know exactly when or how. And then, a couple of months ago, the timing came together and it made perfect sense to do it now.

When I realized that the only reason I’d not choose this was fear, I had to make the choice to be afraid and do it anyway. Otherwise, I’d stagnate.

Image

Photo Credit: Requel Legaspina

At any given time during my recent Author Account Manager incarnation, I had sixty distinct projects that I was overseeing. I’m something of a micro-manager (read: bossypants), so coaching authors on every minute aspect of their self-publishing experience came naturally to me. Among other things, I learned how to:

  • build a book from a raw manuscript
  • assign ISBNs
  • prepare for online categorization through keywords and BISAC codes
  • clean up the formatting for smooth translation into InDesign
  • coach authors on how to write a bio and back of book synopsis
  • research and procured artwork/stock photography/illustrators for book covers
  • send first and second and third and sometimes eighth proofs
  • perform revision rounds using tools within Adobe Reader
  • prepare files for submission to distribution channels
  • perform rigorous quality control checks

and a myriad of other details in between, not to mention spending countless hours in written correspondence and telephone conversations with each individual author.  I learned a lot about publishing, and I learned a lot about being a therapist and quasi crisis negotiator to boot.

I’m going to need to deconstruct that process while I apply it to this new direction. My success is driven by me, my partner, my shiny new iMac, my expertise, my inspiration, my moxy, and the open road. I’m positively vibrating with all the possibilities—and I’m a little bit terrified. More than anything, I’m exhilarated.

Image

Photo Credit: Nicolas Raymond

Cover

Books I've Published in the Last Year: RSVP: Rice and Stew Very Plenty

Congratulations to my author Nazlin Rahemtulla on the release of her beautiful book! This autobiography expanded my world, and I loved working with this ambitious and driven author. Handling her artwork and family photos was engrossing, and I am happy to see such high-quality self-publishing be part of the local (Vancouver) literary scene.

Follow

Get every new post delivered to your Inbox.

Join 985 other followers

%d bloggers like this: